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Veröffentlichte Übersetzungen

Bücher
Front cover of book Essays on Beauty and the Arts by Bernard Bolzano

BOLZANO, BERNARD. 2023. ESSAYS ON BEAUTY & THE ARTS. INDIANAPOLIS: HACKETT.

Front cover of book The History of Cancer and Emotions in Twentieth-Century Germany by Bettina Hitzer

HITZER, BETTINA. 2022. THE HISTORY OF CANCER AND EMOTIONS IN TWENTIETH-CENTURY GERMANY. OXFORD: OXFORD UNIVERSITY PRESS.

Front cover of book Bankruptcy and Debt Collection in Liberal Capitalism by Mischa Suter

SUTER, MISCHA. 2021. BANKRUPTCY AND DEBT COLLECTION IN LIBERAL CAPITALISM: SWITZERLAND, 1800–1900. ANN ARBOR: UNIVERSITY OF MICHIGAN PRESS.

Front cover of book The Politics of Humiliation by Ute Frevert

FREVERT, UTE. 2020. THE POLITICS OF HUMILIATION. OXFORD: OXFORD UNIVERSITY PRESS.

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Sammelbandbeiträge und wissenschaftliche Zeitschriftenartikel
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Work: List

Bertram, Georg. 2025. „Critiquing Gadamer’s Aesthetics: Hermeneutics and the Specificity of the Aesthetic.“ In Gadamer on Art and Aesthetic Experience: Rethinking Hermeneutical Aesthetics Today, hrsg. Stefano Marino und Elena Romagnoli. Albany: State University of New York Press.

Bertram, Georg. 2024. „The Heterogeneity of the Arts: Rethinking Hegel’s System of the Arts.“ Revue Internationale de Philosophie 309, no. 3: 13–28.

Beddies, Thomas. 2023. „Reconstruction without Reform? Child and Adolescent Psychiatry in Berlin after 1945.“ Totalitarismus und Demokratie 20, no. 1: 53–74.

Meyer, Sarah, and Johannes Richter. 2023. „Separation as Policy and Experience: Interim Findings of the Hamburg Research Project on Sent-away Children.“ Totalitarismus und Demokratie 20, no. 1: 93–118.

Mersch, Dieter, Anton Rey, und Thomas Grunwald. 2023. Introduction to Actor and Avatar: A Scientific and Artistic Catalog, hrsg. Dieter Mersch u. a., 4–22. Bielefeld: transcript.

Mersch, Dieter. 2023. „A Brief Avatar-Network Theory.“ In Actor and Avatar: A Scientific and Artistic Catalog, hrsg. Dieter Mersch u. a., 214–23. Bielefeld: transcript.

Borodziej, Włodzimierz, Sabina Ferhadbegović, and Joachim von Puttkamer. 2023. Introduction to The Routledge History Handbook of Central and Eastern Europe in the Twentieth Century, Volume 2: Statehood, hrsg. Włodzimierz Borodziej, Sabina Ferhadbegović, und Joachim von Puttkamer, xv–xvii. New York: Routledge.

Hitzer, Bettina. 2022. „History before Corona: Memory, Experience, and Emotions.“ In Feeling Dis-ease in Modern History: Experiencing Medicine and Illness, hrsg. Rob Boddice und Bettina Hitzer, 61–84. London: Bloomsbury.

Ankele, Monika. 2022. „From a Patient’s Point of View: A Sensual-Perceptual Approach to Bed Treatment.“ In Feeling Dis-ease in Modern History: Experiencing Medicine and Illness, hrsg. Rob Boddice und Bettina Hitzer, 237–54. London: Bloomsbury.

Mersch, Dieter. 2022. „Performance Art and Improvisation.“ In The Routledge Handbook of Philosophy and Improvisation in the Arts, hrsg. Alessandro Bertinetto und Marcello Ruta, 515–529. New York: Routledge.

Bertram, Georg. 2021. „Art and the Possibility of Failure.“ Studi di estetica 19: 25–39.

Omodeo, Pietro Daniel. 2021. „Rethinking Leonardo for the Anthropocene.“ In Leonardo’s Intellectual Cosmos, hrsg. Jürgen Renn, Matteo Valleriani, Sabine Hoffmann, und Antonio Becchi, 323–29. Berlin: Max Planck Institute for the History of Science.

Reichardt, Sven. 2020. „Fascist Communities of Action and Violence.“ In Beyond the Fascist Century, hrsg. Constantin Iordachi und Aristotle Kallis, 51–71. London: Palgrave Macmillan.

Hitzer, Bettina. 2020. „The Odor of Disgust: Contemplating the Dark Side of 20th-Century Cancer History.“ Emotion Review 12, no. 3: 156–67. 

Mersch, Dieter. 2020. „Artistic Composition as Research.“ In Architectures of Embodiment: Disclosing New Intelligibilities, hrsg. Alex Arteaga, 226–64. Zürich: diaphanes.

Laukötter, Anja. 2020. „‚One Feels so Much in These Times!‘ Emotional Education and the Construction of New Subjectivities: Sex Education Films in Early 1960s GDR.“ In Body, Capital, and Screens: Visual Media and the Healthy Self in the 20th Century, hrsg. Christian Bonah und Anja Laukötter, 205–30. Amsterdam: Amsterdam University Press.

Borodziej, Włodzimierz. 2020. „Poland, the German Question, and German Unification, 1989–1991.“ In From Revolution to Uncertainty: The Year 1990 in Central and Eastern Europe, hrsg. Joachim von Puttkamer, Włodzimierz Borodziej, und Stanislav Holubec, 245–58. New York: Routledge.

Brauer, Juliane und Martin Lücke. 2020. „Emotion.“ In The Routledge Handbook of Reenactment Studies: Key Terms in the Field, hrsg. Vanessa Agnew, Jonathan Lamb, und Juliane Tomann, 53–56. Abingdon: Routledge.

Suter, Mischa. 2019. „Moral Economy as a Site of Conflict: Debates on Debt, Money, and Usury in the Nineteenth and Early Twentieth Century.“ Geschichte und Gesellschaft 26: 75–102.

Grossmann, Till. 2019. „Moral Economies of Love and Labor in the GDR: Family Values and Work Ethics in Advice Correspondence, circa 1960.“ Geschichte und Gesellschaft 26: 213–38.

Arndt, Agnes. 2019. „Entrepreneurs: Encountering Trust in Business Relations.“ In Encounters with Emotions: Negotiating Cultural Differences since Early Modernity, hrsg. Benno Gammerl, Philipp Nielsen, und Margrit Pernau, 110–32. New York: Berghahn.

Schmidt, Anne, u. a. 2019. „World War I and the Emergence of Modern Propaganda.“ In The Handbook of European Communication History, hrsg. Klaus Arnold, Paschal Preston, und Susanne Kinnebrock, 97–114. Hoboken: Wiley Blackwell.

Wels, Volkhard. 2019. „Melanchthon’s Logic and Rhetoric and the Methodology of Chemical Knowledge in Libavius’s Alchymia.“ In Natural Knowledge and Aristotelianism at Early Modern Protestant Universities, hrsg. Pietro Daniel Omodeo und Volkhard Wels, 11–28. Wiesbaden: Harrassowitz Verlag.

Brauer, Juliane. 2019. „Music, Body and Emotion Between Well-Being, Manipulation and Torture in the Twentieth Century.“ In The Routledge Companion to Music, Mind, and Well-being, hrsg. Jacomien Prins, u. a., 149–61. New York: Routledge.

Brauer, Juliane. 2019. „‚Stille Nacht‘ Time and Again: Christmas Songs and Christmas Feelings.“ In The Public Work of Christmas: Difference and Belonging in Multicultural Societies, hrsg. Pamela Klassen und Monique Scheer, 60–87. Montreal: McGill–Queen’s University Press.

Mersch, Dieter. 2018. „Obfuscated Transparency.“ In Transparency, Society and Subjectivity, hrsg. Emmanuel Alloa und Dieter Thomä, 259–282. Cham: Palgrave Macmillan.

Mersch, Dieter. 2017. „Art, Knowledge, and Reflexivity.“ Artnodes 20: 33–38.

Suter, Mischa. 2017. „Usury and the Problem of Exchange under Capitalism: A Late Nineteenth-Century Debate on Economic Rationality.“ Social History 42, no. 4: 501–23.

Schmidt, Anne und Christian Conrad. 2016. „The Role of Emotions in the Production of Capitalist Subjects: An Introduction.“ In Bodies and Affects in Market Societies, hrsg. Anne Schmidt und Christian Conrad, 1–22. Tübingen: Mohr Siebeck.

Schmidt, Anne. 2016. „From Thrifty Housewives to Shoppers with Needs: On a Capitalist Program of Education.“ In Bodies and Affects in Market Societies, hrsg. Anne Schmidt und Christian Conrad, 167–88. Tübingen: Mohr Siebeck.

Brauer, Juliane. 2016. „Empathy as an Emotional Practice in Historical Pedagogy.“ Miscellanea Anthropologica et Sociologica 17 (4): 27–44.

Brauer, Juliane. 2015. „Disciplining Young People’s Emotions in the Soviet Occupation Zone and the Early German Democratic Republic.“ In Childhood, Youth and Emotions in Modern History, hrsg. Stephanie Olsen, 178–97. London: Palgrave Macmillan.

Schnädelbach, Sandra. 2015. „The Jurist as Manager of Emotions: German Debates on Rechtsgefühl in the Late 19th and Early 20th Century as Sites of Negotiating the Juristic Treatment of Emotions.“ InterDisciplines 2: 47–73.

Bolzano, Bernard. 2015. „On the Concept of the Beautiful“ (1843). Estetika: The Central European Journal of Aesthetics 52, no. 2: 229–65.

Eitler, Pascal. 2014. „Animal History as Body History: Four Suggestions from a Genealogical Perspective.“ Body Politics 2 (4): 259–74.

Verschiedenes

Gollasch, Christoph. 2024. „Antisemitism without Context.“ Berlin Review 6.

Marwecki, Daniel. 2024. „Calculated Reconciliation.“ Berlin Review 4.

Jaeggi, Rahel, Robin Celikates, u.a. 2024. „Statement on the Withdrawal of Nancy Fraser’s Appointment to the Albertus Magnus Professorship at the University of Cologne.“ Critical Theory in Berlin.

Krajewski, Markus. 2020. „The Structure of (Information) Infrastructure: Origins, History, and Theory of the Flow Chart.“ Seminar für Medienwissenschaft, Universität Basel (Basel Media Culture and Cultural Techniques Working Papers, 1).

von Puttkamer, Joachim. 2018. „And What if the Orthodox Jew Was in Fact a Catholic Bishop? Art-Historical Ambiguities and the POLIN Museum.“ Taxis Magazine (March 15, 2018).

Makhotina, Ekaterina. 2018. „Nostalgia, Pride, and Shame: The Many Faces of Stalin in Contemporary Russia.“ Cultures of History Forum (January 23, 2018).

Scheller, Jörg. 2018. „‚What if the fighting is the reason we’re making progress?‘ Irritation and Innovation in The Big Bang Theory and Ludwik Fleck’s The Genesis and Development of a Scientific Fact.“ In With: A Bookazine on Collaboration Between Cultures, Art Forms, and Disciplines, hrsg. Nuria Krämer und Patrick Müller. Zürich: Zürcher Hochschule der Künste.

Mersch, Dieter. 2017. „Art as Research sui generis: The Compositions of Alvin Lucier.“ In Alvin Lucier—Illuminated by the Moon, hrsg. Bernhard Rietbrock et al., 27–32. Zürich: Zürcher Hochschule der Künste.

Verschiedene Texte in Witt-Dorring, Christian and Janis Staggs, hrsg. 2017. Wiener Werkstätte 1903–1932: The Luxury of Beauty. Exhibition Catalog. Ronald S. Lauder Neue Galerie, Museum for German and Austrian Art. München: Prestel.

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